My Philosophy of Art

(The leitmotiv of my art)

With the destruction of the harmony of nature by men, the vision of the end of all human life shows on the horizon.

New ways of thinking appeared only during the last decade. The harmony of the nature without which man would not know how to live, begins hardly to become important for him.

The clearing of tropical forests ist ending, the destruction of the ozone layer is stopped, everywhere people are using all legal means in order to protect environment and nature. Far from being a short-lived fashion of our time, this the matter of mankind survival Cosmos is governed by the law of the harmony. The movements of the planets and the solar systems are organized according to a well-balanced and harmonious interaction of attraction and repulsive forces. The human being also lives under the laws of this harmony which forms the very heart of the universe Spring, summer, autumn and winter, birth, old age, death, revival, the cycle of life concerns all of us. .

An art which ignores the laws of nature, will destroy the environment and will destroy itself too. Today, we live in the imbalance. It's time for the beautiful, the spiritual and even the religious to express themselves in our highly sophisticated world. The human being has not only a body, he has a soul too and who lets the soul perish, kills also the human Art should come from the heart, then it will also speak to the hearts. Our world raised science to the level of a God and began to turn his back to humanity. Beauty is a sensitive part of reality which one notices only when it is missing. In art, one should feel at home, in security as in one's homeland

My art is turned toward the future...

Around the turn of the 20-th century, the artists began a justified fight to release themselves from the frozen manierism and from the chains of the optical naturalism.

But instead of a creative reconstruction, we got to a dead end, the one of a crazy illusion of novelty. And so, our artists become reporters of " the incomprehensible ", frequently considering their material advantage.

Exhibition dictatorship and market prices ensure that art can not leave any more thismorbid direction. In this strange world the dictatorship of an art without any tolerance has started.

Ignoring whole art trends and intentional overemphasizing of other trends have created a completely twisted image of the present art so that the public, wrongly informed, must consider it as the only correct existing art.

The painter Hundertwasser said " the modern art released itself, it did it so well that it even destroyed itself "

An agreement, that has been lost today, must develop between the artist's experience and the viewer's feelings.

Writings about works of art, often incomprehensible philosophical cliches, became only important when the works of art stopped speaking for themselves.

The monuments of neologisms in many catalogs are frequently more important than the discussed objects. We only get out out of this dead end of dehumanized art when art reconquers the creative power of sensibility and humanity. The guestbooks of my exhibitions prove that I can speak to people's soul, and that they understand me. (please read some lines from those guestbooks) I would like to show that art returns to the human, that it can be food for our soul, in a world sinking in an overcivilization.

I would not like to narrow the field of the viewer's vision by long texts which would steer his impressions. His thoughts and feelings must be completely free when he looks at my statues .

Through my art, I would like to contribute to the positive thought of a new time. This art must speak from soul to soul and open again the blocked way to heart and humanity

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